Back
to
bottom of
Home Page
Back
to
in-depth
description
page
|
This is a Copy of
One of the
Actual Communiqués -
Just like you'll recieve on your email
post box every other week
(sometimes bigger, sometimes smaller):
27 December 1999
**********************************************************************************
YouCanDraw.com's Insiders Communique
**********************************************************************************
Happy New Year to all! In this issue:
1)"Entrainment" and it's elixir: How drawing can be that magic
elixir.
2) Feature-by-feature: the upper lip.
3) New Years Holiday
-----------------------------------------------------------------------
1) Entrainment
I stumbled on an old issue of the Utne Reader (April 1997) recently. The
theme of this issue was "Slow Down". As I started reading it
I found the articles in it especially meaningful - for two reasons. First,
it's the holidays and busy as they are, slowing down is the last thing
on my mind - but probably the most needed.
Secondly, it was meaningful because all the methods offered to "slow
down" involve the "other side of the brain". We talk a
lot about the "right side of the brain" around here, so it seemed
natural to me today to go into this a little more.
A New Word
I learned a new word too: "Entrainment". What's that? It's the
conscious or unconscious "hijacking" of your own natural rhythm,
or pace. Let me explain.
Have you ever been listening to the radio and the latest "hit"
has played 3 times already on your favorite station? It was ok the first
two times but now, in the third, it's getting a little irritating. (Did
I forget to mention it's been hit for a month?) But you're only semi-conscious
of the irritation. Still, you're aware enough to change the station. You
punch the buttons there on your radio as you switch lanes. The thought
"Maybe the jazz station will have something different" flashes
in your brain. Then guess what? Cruds, there it is again on the next station.
Punch another button, think you're going to escape it? Wrong, there it
is again. (back
to top)
Still you're less than totally aware of it because you're mind is ranging
over what you need to do when you get to the gym, when you get home, on
events at work, other deadlines - you know the routine.
So now traffic is at a stand still and here's this stupid song again!
Two more stations - you can't escape it. You look at the radio in disbelief
(like it's the radio's fault). You're irritated now. So what else to do
but shut it off? So you shut it off. Ah, finally a little peace and quiet.
Then what happens? In the middle of your "peace and quiet" you
find your fingers tapping out the rhythm, you find yourself humming that
same old obnoxious melody.
You stop at the gym and over the loud speakers - the same darn tune. On
the TV's at the gym: the video. You try to tune it out - but even if you
consciously boot it out of your brain, your senses are still taking it
in. (the Ricky Martin hit was the most recent "entraining" tune
for me.)
Now it's 2 am, and you can't sleep. Guess what song lyrics you find yourself
mumbling? That stupid tune. As a further irritation you find you're still
tapping out that danged beat. Now it's in you. You've been programmed.
It's taken a subconscious hold on you. In a word, you've been hijacked.
Subtle and effective isn't it?. The CIA and other espionage organizations
use more overt versions of this phenomenon when they're trying to drive
somebody literally nuts. There's no doubt - this is psychological warfare.
This is entrainment. (back
to top)
The same way a silly song can literally over take your "rhythm",
so can the pace of a season - like the Holidays. All the demands, expectations
and pressures imposed from the outside world - not to mention all the
demands we put on ourselves - can make us all walking train wrecks. Our
brain's (our thinking brain that is) demand's might not be our soul of
soul's or our bodies desire. Certainly your boss has other ideas about
what's best for you.
Are You off Track?
How do you know if you're off track? You're body will tell you: you're
wigged out, your "tolerance index" is zeroed out, you're ready
to kill the guy in front of you because he's going just a little slower
than the posted speed limit. Or you're in such a rush you want to not
only swear at the stop light, you want to SHOOT it out. Or you're feeling
"fried", crappy or you literally get sick. (The Holidays mark
the beginning of the flu season - not because the cold brings out any
new bugs. People's defenses wear down from all the holiday stress and
the bugs that are there ALL YEAR 'ROUND have a chance to do a little exploitation.
A little biologic rampaging if you will.
The "Escape" Plan
If you can't quite swing an afternoon trip to Acapulco, how do you escape
this madness? How do you find your own natural rhythm? What's the silver
bullet? Actually there's lots of options. All involve slowing down. There's
exercise - walking being the most therapeutic (it's not so goal oriented
for most, so it's enjoyable all by itself). For some, something like kick
boxing is the only way to feel in control. For others it's getting up
20 minutes early in the morning and writing down their night time dreams
in a journal. You can find and play your own music, the stuff you love,
the stuff that leaves you feeling refreshed after half an hour of listening.
That's the purpose of Siestas in Latin countries or Tea-time in Britain:
letting go of all the compulsive, dizzying "busy-ness". For
others, it's meditation. For others, well it's drawing. (back
to top)
Making it a Ritual
What's important in all these is regularity: making it a ritual to just
make time to do the little things that give you control, that give you
some pleasure. "Honoring" this time is a much better word. (Sounds
less compulsive to me than "making".) The biggee is finding
a way, your way, to shut down your own thinking, driven side of the brain.
And this is why drawing is so great: you have to leave thoughts behind
to get into the "R-mode", or into the artistic, observer's side
of the brain.
A little Trick
Speaking from my own experience, I know how I'll avoid drawing (or anything
else) when it's something "I have to do". But amazingly, if
I can somehow trick myself into just doing it, it's not so bad. How do
I do that? Usually, it's the "tick-tock" of the clock that gets
me all wound up. So I start by dropping my expectations very low, eg,
instead of saying to myself: "I can only draw today if I find 2 hours",
to "all I have to do is 15 minutes of drawing to maintain and even
improve" - that's about a hundred times more doable. Don't you think?
And even 15 minutes is enough to shut down the driven side of my head,
and put me into "R-mode". Amazingly, these little 15 minute
sessions turn into 30, 45, 60 minutes - I lose all track of time. And
that's the point of all these little rituals: getting rid of the "Tick-Tock"
of the modern world. And R-mode was built for working outside of time.
So it's a natural antidote. I leave the drawing board feeling anything
but bored - I feel refreshed, I feel a little more "pizzazzed"
about things and I imagine I'm not as grumpy as I was before I took my
little drawing break. Well I know I'm not. Give it try folks. It might
just work for you. (back
to top)
-------------------------------------------------------------------
2) Feature-by-feature.
This issue we're going to look at the upper lip. If you're following this
mini-series, maybe you could make it your 15 minute-a-day drawing exercise
for the next 2 weeks - just draw the upper lip. Remember, there's a whole
section on drawing lips, but I'm a firm believer in breaking things down
into teeny little bite-sized pieces.
So what's notable about the upper lip?
In a nutshell: the upper lip can be broken down in to three sections:
1) the Middle "winged" section who's middle, lower margin,
forms the shared edge or contour that borders on the lower lip. (This
is also called Cupid's Bow" - see illustration below. The middle
section is colored yellow in the attached picture);
2) and the other 2 parts are what I call the "cornucopia"-shaped
areas to either side of the middle winged section.
You can access the section on lips by clicking or cutting and pasting
this:" (linked to on-line electronic Sourcebook in original email).
Remember the lips are placed over the cylindrical curve of the mouth -
so the lips change shape with turning and twisting of the head - not to
mention they're the most pliable tissue of the face. (the lips twist,
stretch shrink, and contort quite amazingly during a simple ordinary conversation.)
Assignment: watch the lips of the next 3 people you have conversations
with and see it you can't see the three parts I've mentioned (and Cupid's
Bow of course) in action. But beware: be careful not to get "entrained"
by any fast talkers. :-)
Have a safe and fantastic New Year!
Warmly,
Jeff
Finding
Cupid's Bow
on the upper lip
Back
to "In-depth" explanation of the YouCanDraw.com Drawing System
Back
to bottom of Home Page
Back
to top of this page
Kasbohm & Company's
YouCanDraw.com
4702-C West 130th Street
Los Angeles, CA 90250
(310) 676-2998
© Copyright 1997-Present
/ All Rights Reserved
|